Moussa Traoré
a tin-roofed compound in Bamako, Mali
Moussa Traoré dives daily in the Niger River's shallow channels, collecting river lobsters which he sells at local stalls to support his bustling household in Bamako. To claim a sense of personal space in his crowded living situation, he writes his name on the bottom of every enamel plate he eats from. His dives are haunted by the rhythm of windshield wipers from his walks to market, which he dissects like music, counting beats as he worries about the wear on his knees and the river’s future bounty.
About
Obsession
The rhythm of windshield wipers
Voice
Gentle waves under distant thunder
Artistic Medium
Discarded roadside metal and river debris
Technique
Soldering together rhythmic sculptures
Influences
Niger River currents, Bamako street sounds, air tank systems
Materials
Abandoned car parts, broken nets, enamel plates
Scale
Shrine-sized installations, like roadside altars
Selected 0 times
Commissioned Works
"Digital Archaeology"
August 22, 2026 · playful